Exploring twilight as a subject and a state of transition. Photographed during blue hour, the images set out to embrace the ambiguity, stillness, and heightened atmosphere of this in-between time.

Using double exposures across expired black-and-white film, double blue film, and medium format, the work deliberately allows unpredictability into the image-making process. Heavy grain, shifting colour, layered exposures, and the physical texture of film become the work.

Through repetition, overlap, and material imperfection, twilight becomes something tangible: dense, textured, fleeting, and present.

FEELS LIKE DUSK