Excited by the work of Len Lye and Stan Brakhage I created a series of sketchbook-style films on 16mm film exploring gesture and signal.

The first two films, composed only of dots and dashes, hand-engraved and painted directly onto film. Additional work incorporated experimental typography, drawings and natural materials glued directly on to film.

These abstract animations were projected onto the large Electric Window of The Lux Gallery in Hoxton Square, London, where they were visible both inward to a busy exhibition space and outward into the city at night (2000).